A rainy day going about Washington. First stop is the Corcoran Gallery of Art. In my database, it has 12 artists: Bierstadt, Church, Cole, Cropsey, Durand, Gifford, Haseltine, Heade, Homer, Huntington, Kensett, and Whittredge.
The Bierstadts include:
Mount Corcoran, c. 1876-77
The Last of the Buffalo, 1888
Buffalo Trail: The Impending Storm, 1869
I apologize for the quality of the picture, but the painting is 20 feet off the ground ("Salon style").
The best Frederic Church there is Niagara, 1857
Martin Johnson Heade: View of Marshfield, c. 1866-76
Sanford Robinson Gifford: Ruins of the Parthenon, 1880
And ... I discovered two paintings/artists that I certainly DID NOT EXPECT:
JMW Turner: Boats Carrying Out Anchors to the Dutch Men of War, c. 1804
Claude Monet: The Willows, 1880
We walked past the White House on a rainy day
After a great lunch at Woodward Table, over to the US Capitol
where we waited in the "no reservations" line for 1/2 hour (but then we got in on a tour - along with about 200 students from Dalton). After going through the Old Supreme Justices Chamber, and the Crypt, I saw ONE OF THE BIERSTADTS
Discovery of the Hudson River, 1874
Entrance into Monterey, 1876
Click Here to link to a wonderful House.gov article about the two Beirstadt paintings
That's it for our last day in DC - off to Baltimore and Delaware tomorrow!
Wednesday, April 30, 2014
Tuesday, April 29, 2014
Day Nine: The Phillips Collection - Smithsonian American Art Museum - Howard University Gallery of Art - Smithsonian National Museum of American History
The first stop of the day was The Phillips Collection, 1600 21st St NW. Selections from the Permanent Collection are in the "old house", while the other half contains "American Masters from The Phillips Collection"
Winslow Homer, "To the Rescue", 1886
Claude Monet, "Val-Saint-Nicolas, near Dieppe (Morning)", 1897
Edgar Degas, "Dancers at the Barre", circa 1900
The Gallery Place-Chinatown stop on the DC Metro, which is the stop for the Smithsonian American Art Museum
The Smithsonian American Art Museum, 8th and F NW - 16-of-my-22 artists!! Bierstadt, Bradford, Bricher, Church, Cole, Cropsey, Duncanson, Durand, Gifford, Haseltine, Homer, Huntington, Kensett, Moran, Richards, and Whittredge!! (Hey, stop this - this is not a contest)(well, maybe a little contest ...)
Aside from a stunning interior courtyard, which is also where we had lunch, this Museum is THE PLACE for my Hudson River School artists. I don't know the backstories (whether they knew they were painting for the National Government, or if the Government just purchased their works on the market), but it certainly seems as if some of their Best Works are here (especially for Bierstadt and Church and Moran!).
Thomas Cole, "The Subsiding of the Waters of the Deluge," 1829 - the condition of this canvas is excellent - it looks like it had been painted yesterday!
Albert Bierstadt, "Among the Sierra Nevada, California," 1868. The note for the painting says:
Smithsonian American Art Museum,
Bequest of Helen Huntington Hull,
granddaughter of William Brown
Dinsmore, who acquired the painting in
1873 for "The Locusts," the family estate in
Dutchess County, New York, 1977.107.1
Albert Bierstadt, "Seal Rocks, San Francisco," 1872. The note for this painting says:
Smithsonian American Art Museum,
Private collection
This painting is not in my database (because it is credited as "Private collection"), but it is certainly a companion piece to "Seal Rock," 1872 at the New Britain Museum of American Art up in Connecticut:
but after some research, it is almost identical to Farallon Island, 1887, at the Carnegie Museum of Art in Pittsburgh, Pennsylvania
William Bradford, "Looking Out of Battle Harbor," 1877
Frederic Edwin Church, "Aurora Borealis," 1865
Alfred Thompson Bricher, "Castle Rock, Marblehead," 1878
Childe Hassam, "The South Ledges, Appledore," 1913
After all the beauty I have seen, it certainly seems selfish to ask for more. I know, however, that there are still four BEAUTIFUL Thomas Moran paintings out there! The three VERY LARGE paintings are grouped together in their own alcove:
The Chasm of the Colorado, 1873-74
The Grand Canyon of the Yellowstone, 1893-1901
The Grand Canyon of the Yellowstone, 1872 (yes, they have the same title!)
and I call this song: Men At Work!
The fourth Moran is "Rainbow over the Grand Canyon of the Yellowstone," 1900
And, after all this, the best way for me to close out the day is at the Smithsonian's American History Museum, with Larry and Sergey's Google "Corkboard" Server, 1999
Winslow Homer, "To the Rescue", 1886
Claude Monet, "Val-Saint-Nicolas, near Dieppe (Morning)", 1897
Edgar Degas, "Dancers at the Barre", circa 1900
The Gallery Place-Chinatown stop on the DC Metro, which is the stop for the Smithsonian American Art Museum
The Smithsonian American Art Museum, 8th and F NW - 16-of-my-22 artists!! Bierstadt, Bradford, Bricher, Church, Cole, Cropsey, Duncanson, Durand, Gifford, Haseltine, Homer, Huntington, Kensett, Moran, Richards, and Whittredge!! (Hey, stop this - this is not a contest)(well, maybe a little contest ...)
Aside from a stunning interior courtyard, which is also where we had lunch, this Museum is THE PLACE for my Hudson River School artists. I don't know the backstories (whether they knew they were painting for the National Government, or if the Government just purchased their works on the market), but it certainly seems as if some of their Best Works are here (especially for Bierstadt and Church and Moran!).
Thomas Cole, "The Subsiding of the Waters of the Deluge," 1829 - the condition of this canvas is excellent - it looks like it had been painted yesterday!
Albert Bierstadt, "Among the Sierra Nevada, California," 1868. The note for the painting says:
Smithsonian American Art Museum,
Bequest of Helen Huntington Hull,
granddaughter of William Brown
Dinsmore, who acquired the painting in
1873 for "The Locusts," the family estate in
Dutchess County, New York, 1977.107.1
Albert Bierstadt, "Seal Rocks, San Francisco," 1872. The note for this painting says:
Smithsonian American Art Museum,
Private collection
This painting is not in my database (because it is credited as "Private collection"), but it is certainly a companion piece to "Seal Rock," 1872 at the New Britain Museum of American Art up in Connecticut:
but after some research, it is almost identical to Farallon Island, 1887, at the Carnegie Museum of Art in Pittsburgh, Pennsylvania
William Bradford, "Looking Out of Battle Harbor," 1877
Frederic Edwin Church, "Aurora Borealis," 1865
Alfred Thompson Bricher, "Castle Rock, Marblehead," 1878
Childe Hassam, "The South Ledges, Appledore," 1913
After all the beauty I have seen, it certainly seems selfish to ask for more. I know, however, that there are still four BEAUTIFUL Thomas Moran paintings out there! The three VERY LARGE paintings are grouped together in their own alcove:
The Chasm of the Colorado, 1873-74
The Grand Canyon of the Yellowstone, 1893-1901
The Grand Canyon of the Yellowstone, 1872 (yes, they have the same title!)
and I call this song: Men At Work!
The fourth Moran is "Rainbow over the Grand Canyon of the Yellowstone," 1900
And, after all this, the best way for me to close out the day is at the Smithsonian's American History Museum, with Larry and Sergey's Google "Corkboard" Server, 1999
Monday, April 28, 2014
Day Eight: Fredericksburg, VA - Arlington Court Suites, Arlington, VA - Washington, DC: National Gallery of Art, Hirshhorn Museum, Freer Gallery
Up to Arlington, VA, then the Metro into DC museums
There is a LOT of road construction/repair around Arlington, but Wendy did a GREAT JOB with Google Maps on her cell phone - the GPS companies are definitely going out of business! I picked a hotel just two blocks from the Metro, so after checking in, we went there, bought 2 cards with $15 each on them, and headed into town. Off at the Smithsonian Metro stop, walked across the Mall, and had a nice lunch outside at the Cafe at the National Sculpture Garden
a Calder
and water fountains
and then one building east to the National Gallery of Art!!!!
There are 17-of-my-22 artists here - Bierstadt, Bradford, Bricher, Church, Cole, Cropsey, Durand, Gifford, Haseltine, Heade, Homer, Kensett, Monet, Moran, Richards, Turner, and Whittredge
Thomas Moran "Green River Cliffs, Wyoming", 1881
Frederic Edwin Church, "El Rio de Luz (The River of Light)", 1877
Winslow Homer, "Right and Left", 1909
Winslow Homer, "Breezing Up (A Fair Wind), 1876
Sanford Robinson Gifford, "The Artist Sketching at Mount Desert, Maine", 1864-1865
Leonardo Da Vinci, "Ginevra de' Benci", c. 1474/1478 ["the only painting by the artist in America"]
Jackson Pollock, "Number 1, 1950 (Lavender Mist)", 1950
We then went down to the Hirshhorn Museum, which actually only had misc modern art. Outside, however, was a cool Calder:
Alexander Calder, "Two Discs", 1965
That's all for Day-1-of-3 in Washington, DC.
There is a LOT of road construction/repair around Arlington, but Wendy did a GREAT JOB with Google Maps on her cell phone - the GPS companies are definitely going out of business! I picked a hotel just two blocks from the Metro, so after checking in, we went there, bought 2 cards with $15 each on them, and headed into town. Off at the Smithsonian Metro stop, walked across the Mall, and had a nice lunch outside at the Cafe at the National Sculpture Garden
a Calder
and water fountains
and then one building east to the National Gallery of Art!!!!
There are 17-of-my-22 artists here - Bierstadt, Bradford, Bricher, Church, Cole, Cropsey, Durand, Gifford, Haseltine, Heade, Homer, Kensett, Monet, Moran, Richards, Turner, and Whittredge
Thomas Moran "Green River Cliffs, Wyoming", 1881
Frederic Edwin Church, "El Rio de Luz (The River of Light)", 1877
Winslow Homer, "Right and Left", 1909
Winslow Homer, "Breezing Up (A Fair Wind), 1876
Sanford Robinson Gifford, "The Artist Sketching at Mount Desert, Maine", 1864-1865
Leonardo Da Vinci, "Ginevra de' Benci", c. 1474/1478 ["the only painting by the artist in America"]
Jackson Pollock, "Number 1, 1950 (Lavender Mist)", 1950
We then went down to the Hirshhorn Museum, which actually only had misc modern art. Outside, however, was a cool Calder:
Alexander Calder, "Two Discs", 1965
That's all for Day-1-of-3 in Washington, DC.
Sunday, April 27, 2014
Day Seven: Charlottesville, VA - All Saints Anglican Church - Virginia Museum of Fine Arts - The Maritime Museum - Fredericksburg, VA
290 miles
First Stop Sunday morning: All Saints Anglican Church, Charlottesville, VA
Second stop was the Virginia Museum of Fine Arts in Richmond, VA. They have a lovely collection:
a portrait by John Singer Sargent;
landscapes by Asher B. Durand, Frederick Church, Thomas Cole, Martin Johnson Heade, and Thomas Moran;
a couple of horse paintings by Albert Bierstadt;
assorted paintings by Winslow Homer, Edward Hopper, Claude Monet, Vincent Van Gogh, Edgar Degas, and Pablo Picasso;
and a Henry Moore sculpture outside.
My two favorites here are by Claude Monet and Thomas Moran
"Irises by the Pond", 1914-1917, is a (relatively) large canvas by Monet, and is displayed in a room decorated as it may have been in Paul Mellon's home. It does a beautiful job of taking your breath away
"Bridalveil Fall, Yosemite Valley", 1904, is a wonderful example of Moran Western paintings - combining color, light and texture to bring a beautiful vista to vibrant life
Which brings us to the editorial part of this blog. Maybe the art that moves me most is art that does not just accurately portray the landscape/waterfall/mountain range/seashore, but does more - it makes the view more alive than it really is (or at least more exciting/alive than you would see if you were there). They tease out that little piece of color, expand on that little shaft of light, and make the whole scene come alive. Their talent is in continuing to make it believable, and not degenerating into a cartoon. The further you try to take it away from "realism/reality", the stronger your talent must be to avoid the "cartoon". This may be why I love JMW Turner and Claude Monet - to me, they are the ones who have talent strong enough to pull it off.
and, of course, it is REALLY NICE that these museums are Beautiful Buildings located amongst Beautiful Landscapes (lunch in the sun with Henry Moore sculpture in the background)
The afternoon took us down to The Mariners' Museum in Newport News, VA. Although none of the five pieces of art I was hoping to see were on display, we enjoyed ourselves with our one-hour visit.
a very nice Cartography exhibit, with ancient maps
a room with low light and spotlights on ship models
Wendy thinking about sailing off into the sunset
and it was A LOT OF FUN to see the Sunfish in their "International Small Craft Center", with boats from around the world! (Don't forget to email Alex and Tim!)
Up to Fredericksburg for dinner with John and Lonnie, then a good night's sleep.
Sunday, April 27
Red Roof Inn, Charlottesville, VA
1/2 hour -- All Saints Anglican Church, Charlottesville, VA
1 1/4 hour -- Virginia Museum of Fine Arts, Richmond, VA
1 1/4 hour -- The Mariners' Museum, Newport News, VA
3 hours (in traffic) -- Fredericksburg, VA
here is today's playlist:
Paul Simon - Rhythm of the Saints
John Mayer - Heavier Things
Dave Matthews Band - Live at Red Rocks (2 cds)
First Stop Sunday morning: All Saints Anglican Church, Charlottesville, VA
Second stop was the Virginia Museum of Fine Arts in Richmond, VA. They have a lovely collection:
a portrait by John Singer Sargent;
landscapes by Asher B. Durand, Frederick Church, Thomas Cole, Martin Johnson Heade, and Thomas Moran;
a couple of horse paintings by Albert Bierstadt;
assorted paintings by Winslow Homer, Edward Hopper, Claude Monet, Vincent Van Gogh, Edgar Degas, and Pablo Picasso;
and a Henry Moore sculpture outside.
My two favorites here are by Claude Monet and Thomas Moran
"Irises by the Pond", 1914-1917, is a (relatively) large canvas by Monet, and is displayed in a room decorated as it may have been in Paul Mellon's home. It does a beautiful job of taking your breath away
"Bridalveil Fall, Yosemite Valley", 1904, is a wonderful example of Moran Western paintings - combining color, light and texture to bring a beautiful vista to vibrant life
Which brings us to the editorial part of this blog. Maybe the art that moves me most is art that does not just accurately portray the landscape/waterfall/mountain range/seashore, but does more - it makes the view more alive than it really is (or at least more exciting/alive than you would see if you were there). They tease out that little piece of color, expand on that little shaft of light, and make the whole scene come alive. Their talent is in continuing to make it believable, and not degenerating into a cartoon. The further you try to take it away from "realism/reality", the stronger your talent must be to avoid the "cartoon". This may be why I love JMW Turner and Claude Monet - to me, they are the ones who have talent strong enough to pull it off.
and, of course, it is REALLY NICE that these museums are Beautiful Buildings located amongst Beautiful Landscapes (lunch in the sun with Henry Moore sculpture in the background)
The afternoon took us down to The Mariners' Museum in Newport News, VA. Although none of the five pieces of art I was hoping to see were on display, we enjoyed ourselves with our one-hour visit.
a very nice Cartography exhibit, with ancient maps
a room with low light and spotlights on ship models
Wendy thinking about sailing off into the sunset
and it was A LOT OF FUN to see the Sunfish in their "International Small Craft Center", with boats from around the world! (Don't forget to email Alex and Tim!)
Up to Fredericksburg for dinner with John and Lonnie, then a good night's sleep.
Sunday, April 27
Red Roof Inn, Charlottesville, VA
1/2 hour -- All Saints Anglican Church, Charlottesville, VA
1 1/4 hour -- Virginia Museum of Fine Arts, Richmond, VA
1 1/4 hour -- The Mariners' Museum, Newport News, VA
3 hours (in traffic) -- Fredericksburg, VA
here is today's playlist:
Paul Simon - Rhythm of the Saints
John Mayer - Heavier Things
Dave Matthews Band - Live at Red Rocks (2 cds)
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